Chyron has announced its latest updates to Chyron LIVE, the company’s 100% cloud-native live production system.
The release adds direct integration with Haivision StreamHub for managing remote video contributions, SCTE-35 ad insertion to monetise live streams, and a set of switcher, shortcut, and replay improvements designed to give operators tighter control during live broadcasts.
As more productions move out of the truck and into the cloud, Chyron continues to expand Chyron LIVE around two needs that every producer shares — getting reliable video from the field and turning a live audience into revenue.
Recent releases of LIVE 1.14 and 1.15 address both needs and refines the core switching and replay tools operators rely on for every show.
LIVE 1.15 introduces direct integration with Haivision StreamHub, allowing users to connect their StreamHub account and manage video inputs without leaving the Chyron LIVE interface. The integration is designed to bridge the gap between field crews and the studio, particularly when paired with mobile contribution tools like Haivision’s MoJoPro app.
Kristy Weir, Product Manager, Chyron LIVE, said, “Because LIVE operates as a 100% cloud-native workflow, integrating Haivision StreamHub seamlessly bridges the gap between the field and the studio.
“Users get a single, streamlined hub to ingest, manage, and distribute video from anywhere. Plus, when paired with the MoJoPro app, adding remote contributors is effortless, eliminating the friction of remote broadcasts.”
The recent release of LIVE 1.14 added a broader set of monetisation and workflow improvements. New SCTE-35 ad insertion gives producers the ability to trigger and manage commercial breaks directly inside a live broadcast, with configurable pre-roll, slate, and lead-out segments and built-in verification reporting to confirm ad delivery to advertisers.
The release also adds a standard black source to the switcher for clean cuts and dissolves to black, new keyboard shortcuts for sending sources directly to preview or programme, and the ability to clear individual or all clip slots in the replay module so operators always work with current content.
A transition fallback improvement now defaults to a cut if a selected transition file is unavailable on a given environment, keeping switching reliable even when custom transition assets are missing. LIVE also ships with PRIME 5.3 and Prime Engine 2317 under the hood.
