ARRI
Television Academy honours ARRI for SkyPanel LED development
At the 73rd Engineering Emmy Awards ceremony, the Television Academy honoured ARRI for the development of its SkyPanel family of LED soft lights.
ARRI’s ‘workhorse’ SkyPanel wins Engineering Emmy award
The ARRI SkyPanel family of LED softlights have been recognised for “outstanding achievement in engineering development” at the 73rd Engineering Emmy Awards, with the jury recognising that SkyPanel fixtures have optimised the production lighting workflow and have been widely adopted throughout the TV industry.
ARRI LightNet offers at-a-glance centralised monitoring of lights
As remote, decentralised and socially-distanced working becomes more popular and established, broadcast studio lighting major ARRI has released its latest innovation – the ARRI LightNet, which leads the way for essential, comprehensive and user-friendly monitoring of lighting networks.
ARRI Hi-5 provides uninterrupted on-set connectivity for film crews
To provide reliable wireless camera and lens control in demanding situations on set, ARRI has released its “most sophisticated” hand unit on the market.
ARRI launches powerful full-rotation remote head SRH-360
Well known for its smooth shots, ARRI has added the stabilised remote head SRH-360 to its range of camera stabiliser systems.
ARRI’s Orbiter steals the limelight at IBC2019
The Orbiter is fitted with a colour sensor for measuring the ambient light, a three-axis accelerometer and magnetometer for sensing the pan-tilt-roll and heading of the fixture, heat sensors for keeping the LEDs and electronics at exactly the right temperature, and an ambient light sensor for automatically dimming the control panel display.
ARRI enables ‘low-budget filmmakers to achieve big-budget results’
Known for its superior imaging technology, ARRI promises producers the highest production film quality.
Getting the shot: A game-changing tripod becomes an essential newsgathering tool for AsiaWorks
BY ANDREW FISHER AsiaWorks was founded in 1996 by a small group of some of Asia’s best producers, camera operators and journalists — and more than two decades later, we are well-known as Asia’s leading independent media company.
Content creation involves the best cameras … and more
While cameras continue to play a pivotal role in the capture of some of the most iconic moments in cinema and TV, the value of the supporting cast — including lighting and tripod systems — cannot be understated.
flowtech100 takes on an adventure with Moment Pictures
The camera tripod from brands of the Vitec Group was used for the filming of a sports promotion video Moment Pictures, a German production company, has deployed the flowtech100 camera tripod on its recent location shoot in the Canary Islands.
DoP Stefan Duscio completes first Alexa LF TVC for Target Australia
It is the first TVC shot using ARRI’s Alexa LF camera combined with Signature Prime lenses Director of photography (DoP) Stefan Duscio has completed a TVC shot for Target Australia, a departmental store company, using the Alexa LF camera with new Signature Prime lenses from ARRI.
ARRI names new executive board member for technology
Dr Michael Neuhaeuser replaces Franz Kraus, who joins the Supervisory Board of the ARRI Group The ARRI Group’s Supervisory Board has appointed Dr Michaeal Neuhaeuser as the new Executive Board member responsible for technology.
Lyrebird soars with Cooke Optics lenses
Cinematographer Remi Adefarasin deploys Cooke Optics lenses to capture WW2 film An upcoming period feature film starring Guy Pearce, Claes Bang, Vicky Krieps and Roland Moller, Lyrebird is directed by Dan Friedkin working alongside cinematographer Remi Adefarasin.
Samsung selects ARRI to colour its new Onyx displays
The new Onyx 4K/UHD cinema LED displays from Samsung incorporates Ultra Contrast with “true” blacks, HDR and P3 colour accuracy In an attempt to present enhanced visuals in exhibition technology, Samsung has selected footage captured with ARRI Alexa cameras for their new Onyx 4K/Ultra HD (UHD) cinema LED displays.
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