camera lens

APB+

Fujinon 4K UA107 fulfils AFL’s desire for fan engagement

MKTG Sports + Entertainment, a global integrated agency, is operating scoreboard control at the Melbourne Cricket Ground (MCG) sports stadium as part of its in-venue coverage of the Australian Football League (AFL) on two big screens separate from the normal broadcast coverage.

Camera

Camera Hire boosts rental fleet with Fujinon MK lenses addition

Camera Hire, a Sydney-based rental house, has expanded its rental inventory with the addition of the Fujinon MK lenses from Fujifilm.

Camera

BSC Expo 2019: Cooke Optics highlights Anamorphic/i Full Frame Plus lens

At next month’s BSC Expo 2019, Cooke Optics will be presenting its Panchro/i Classic and Anamorphic/i Full Frame Plus lens.

Camera

Fujinon captures every turn in Bathurst 1000 in 4K/Ultra HD

The collaboration between Supercars and Foxtel saw the first broadcast of the Bathurst 1000 car race in 4K/UHD, which was captured using a variety of Fujinon lenses At the Supercheap Auto Bathurst 1000 racing tournament last weekend, Supercars and Australian pay-TV operator Foxtel broadcasted the event in 4K/Ultra HD (UHD).

Camera

Fujifilm encourages you to shoot in 4K/Ultra HD

Said to feature “the world’s highest zoom and longest focal length”, Fujifilm has launched the Fujinon UA46x13.

Camera

Looking through the lenses of Cooke Optics

Cooke Optics is launching its Anamorphic/i Full Frame Plus range at IBC2018 To meet the growing appetite for large format production, while applying the popular anamorphic characteristics including flare and oval bokeh, Cooke Optics is offering the 50mm focal length of its new Anamorphic/i Full Frame Plus range.

Camera

DoP Stefan Duscio completes first Alexa LF TVC for Target Australia

It is the first TVC shot using ARRI’s Alexa LF camera combined with Signature Prime lenses Director of photography (DoP) Stefan Duscio has completed a TVC shot for Target Australia, a departmental store company, using the Alexa LF camera with new Signature Prime lenses from ARRI.

Camera

Gearhouse Broadcast acquires new 4K/UHD Fujinon lenses

The newly purchased lenses will be deployed in the production of live or near-live content, as well as pre-recorded studio shows Gearhouse Broadcast has added a number of Fujinon 4K/Ultra HD (UHD) lenses to its lens inventory.

Camera

Lyrebird soars with Cooke Optics lenses

Cinematographer Remi Adefarasin deploys Cooke Optics lenses to capture WW2 film An upcoming period feature film starring Guy Pearce, Claes Bang, Vicky Krieps and Roland Moller, Lyrebird is directed by Dan Friedkin working alongside cinematographer Remi Adefarasin.

Camera

NEP US equips new mobile unit with Fujinon 4K/UHD lenses

M-15 is a new production truck from NEP US, and is designed to support 4K/UHD production and IP delivery specifications NEP Group has fitted its latest mobile unit, the M-15 — a 4K/Ultra HD (UHD) unit with advanced IP delivery capability — with a range of Fujinon 4K/UHD lenses.

Camera

Fujifilm expands 4K/UHD HDR lens portfolio

New to the UA series of 4K/UHD 2/3-inch lenses are UA46x9.

Camera

ZEISS provides ‘perfect tool’ for visual effects

Digital technologies have transformed traditional filmmaking with innovative technologies in both production and post production, paving the way for a more versatile, cost-effective and advanced workflow.

Camera

Cooke takes a peek into “Pope: The Most Powerful Man in History”

Kristian Dane Lawing SOC utilised Cooke S4/i prime lenses to capture a cinematic look for the six-part miniseries Produced by Glass Entertainment Group, Pope: The Most Powerful Man in History is scheduled to premiere on CNN this Easter weekend.

Camera

ARRI unveils large-format Alexa LF camera system

The Alexa LF camera package comprises the Alexa LF camera, ARRI Signature Prime lenses, LPL lens mount, and PL-to-LPL adapter, empowering cinematographers to create engaging images ARRI has unveiled a complete camera system that is based on a large-format 4K/Ultra HD (UHD) version of the Alexa sensor.

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