Dolby

Creation

Hearing the haunts of Hill House from Nugen Audio

Re-recording mixer Jonathan Wales utilised Halo Upmix to create the emotions and suspense in The Haunting of Hill House As a re-recording mixer mixing at post-production sound company Formosa NoHo, Jonathan Wales completed the audio mix for a Netflix series, The Haunting of Hill House, using Nugen Audio’s Halo Upmix.

Creation

Incorporating HDR/WCG in the broadcast workflow

By Aale Raza High dynamic range (HDR) and wide colour gamut (WCG) have made a big splash on the broadcasting world, with numerous manufacturers lining up to show the spectacular colours with their cameras, monitors and projectors There are, however, challenges to be overcome before these new standards can be incorporated into the broadcast workflow.

Creation

SSL adds immersive audio to EBU’s European Championship trials

A total of five European broadcasters and 19 technology partners will be participating in EBU’s 4K/UHD HFR HDR trial at the 2018 European Athletics Championships At the upcoming 2018 European Athletics Championships, the European Broadcasting Union (EBU) will be conducting trials to shoot, process, record and distribute live 4K/Ultra HD (UHD) content, in combination with high frame rates (HFR), high dynamic range (HDR), and next-generation audio (NGA).

Distribution

Ateme’s Titan enables the delivery of next-gen TV

WRAL-TV, NBC Universal and NAB successfully showcased the PyeongChang Winter Olympic Games in 4K/UHD over the ATSC 3.

HDR

Why you should look at IP-based KVM for your 4K/UHD broadcast

Loki Ong, vice-president, sales, APAC, Adder Technology, makes the case for KVM systems to be deployed for 4K/UHD productions The need for native 4K/Ultra HD (UHD) quality across the board is clear, but this is tricky when producers, editors, cameramen and other crew members are out on location so often.

HDR