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HDR brings new dynamics to content production and consumption
Whether broadcasters and content producers are working in 4K/Ultra HD or HD, it would appear that HDR is playing an increasingly key role in bringing the most immersive viewing experience to the home.
Axon’s Cerebrum powers a summer of sports
For instance, Cerebrum simplified the production workflow for BBC Sports’ FIFA World Cup 4K/UHD HDR coverage Some of the largest sporting events taking place this summer, including the FIFA World Cup, tennis’ Wimbledon and the ongoing Asian Games, used, or are using Axon’s Cerebrum control and monitoring platform to eliminate engineering bottlenecks and create efficient unified workflows.
Incorporating HDR/WCG in the broadcast workflow
By Aale Raza High dynamic range (HDR) and wide colour gamut (WCG) have made a big splash on the broadcasting world, with numerous manufacturers lining up to show the spectacular colours with their cameras, monitors and projectors There are, however, challenges to be overcome before these new standards can be incorporated into the broadcast workflow.
Why you should look at IP-based KVM for your 4K/UHD broadcast
Loki Ong, vice-president, sales, APAC, Adder Technology, makes the case for KVM systems to be deployed for 4K/UHD productions The need for native 4K/Ultra HD (UHD) quality across the board is clear, but this is tricky when producers, editors, cameramen and other crew members are out on location so often.
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