post-production
Work/life balance: Remote post-production advances save costs, ‘more hours editing, less behind the wheel’
By Shaun Lim Among the many technology firsts displayed at the recently concluded Tokyo Olympics, OBS Cloud, a collaboration between
Netflix carries out pledge to upskill creative professionals
In partnership with the Government of Maharashtra and Amsterdam Post Lab, APostLab, the program trains producers and post-production supervisors on
Switch TV goes live in HD
German systems integrator Broadcast Solutions designed and supplied equipment for Switch TV’s new HD TV station Located in Nairobi, the
Grass Valley heads to Inter BEE with end-to-end solutions
Rio and Edius editing software family, as well as LDX 86N cameras, are some of the solutions on display Grass
Five Peas taps Videocraft’s expertise for MTV project
Videocraft supplied equipment from Sony, AJA Video Systems and Ross Video to support Five Peas’ production of MTV Unplugged When
EditShare releases Lightworks 14.5
The latest version of the Lightworks non-linear editor includes over 70 new features and 500 improvements, and is integrated with
GB Labs brings FastNAS NitroMAX to NAB Show New York
Following a successful IBC2018 last September, the FastNAS NitroMAX storage solution will travel with GB Labs to 2018 NAB Show
A vibrant new era of storytelling
More editors are leveraging 4K/Ultra HD and HDR technologies to bring their stories to life It is no secret that
Blackmagic Design is newest member of Netflix Post Technology Alliance
The company’s DaVinci Resolve post-production software and URSA Mini cameras are now certified with the Post Technology Alliance logo Blackmagic
EditShare’s EFS platform manages post workflows for redchillies.vfx
Core to redchillies.vfx post-production infrastructure are the EditShare EFS scale-out storage platform and Flow MAM system, which simplify post-production collaboration
Sennheiser and partners resolve complex RF challenges
The demands on audio professionals are constantly evolving, bringing forth more channels, bigger stages and more complex radio frequency (RF)
AJA’s KONA accelerates productivity in multi-format environments
AJA Video Systems will be showcasing the KONA series of capture cards, including KONA HDMI, an eight-lane PCIe 2.0 multi-channel
NewTek brings new approach to real-time motion graphics creation
LiveGraphics allows broadcasters to go directly to air with 10 channels of real-time animated graphics NewTek has introduced LiveGraphics, which
EditShare enhances workflow efficiency for Element
To better manage its growing business workload, the Dublin-based post-production house has installed a series of EditShare’s solutions, such as
AJA releases enhanced software for FS-HDR
Colour correction, colour saturation and support for wider camera formats are some of the new features packed in the new
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