post-production
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BroadcastAsia2018
Sennheiser and partners resolve complex RF challenges
The demands on audio professionals are constantly evolving, bringing forth more channels, bigger stages and more complex radio frequency (RF)…
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BroadcastAsia2018
AJA’s KONA accelerates productivity in multi-format environments
AJA Video Systems will be showcasing the KONA series of capture cards, including KONA HDMI, an eight-lane PCIe 2.0 multi-channel…
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Creation
NewTek brings new approach to real-time motion graphics creation
LiveGraphics allows broadcasters to go directly to air with 10 channels of real-time animated graphics NewTek has introduced LiveGraphics, which…
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Management
EditShare enhances workflow efficiency for Element
To better manage its growing business workload, the Dublin-based post-production house has installed a series of EditShare’s solutions, such as…
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HDR
AJA releases enhanced software for FS-HDR
Colour correction, colour saturation and support for wider camera formats are some of the new features packed in the new…
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APB+
Mediacorp ushers in next-gen viewers with VR
The launch of the VR Incubation Programme will equip Mediacorp staff with VR knowledge, from content creation to post production…
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IP
Outstanding 4K/UHD broadcasting requires 4K/UHD-enabled KVM system
There is no denying the popularity of 4K/Ultra HD (UHD) technology. Although consumer access to 4K/UHD content is still limited…
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AI
Valossa teams up with Accurate Player to accelerate metadata solutions for media industry
Combining Valossa’s AI technology with Accurate Player’s HTML5 QC player, operators will be able to better manage post-production workflows and…
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