wide colour gamut
8K shines at AJA’s Inter BEE 2018 showcase
Two 8K workflows are on display at AJA Video Systems' booth The first demonstration is the AJA FS-HDR, a universal converter and frame synchroniser designed for processing high-resolution high dynamic range (HDR) and wide colour gamut (WCG) content.
Incorporating HDR/WCG in the broadcast workflow
By Aale Raza High dynamic range (HDR) and wide colour gamut (WCG) have made a big splash on the broadcasting world, with numerous manufacturers lining up to show the spectacular colours with their cameras, monitors and projectors There are, however, challenges to be overcome before these new standards can be incorporated into the broadcast workflow.
Shooting through the prism of the most advanced camera lenses
Camera lenses, used in conjunction with a camera system, are helping to turn every second into a long-lasting moment Every picture tells a story.
ABU DBS 2018 addresses requirements for multi-platform delivery
IP, 4K/UHD and HDR are some technologies that empower media operators to garner viewer retention while easing workflow complexity With the theme Enhancing Multiplatform Content, the Asia-Pacific Broadcasting Union (ABU) Digital Broadcasting Symposium (DBS) 2018 held at the Royale Chulan Hotel Kuala Lumpur in Malaysia from March 5-8 focused on addressing the technologies and techniques essential to develop appropriate and engaging content that addresses both the changing behaviour and demand of today’s audiences.
AJA’s FS-HDR powers 4K/UHD HDR conversion
A total of 24 FS-HDR converters were installed in a new IP-based, 4K/UHD HDR OB van Esterna 14 is an IP-based, 4K/Ultra HD (UHD) high dynamic range (HDR) outside broadcast (OB) van jointly developed by DBW and BetaMedia, an Italian production company.
AJA releases enhanced software for FS-HDR
Colour correction, colour saturation and support for wider camera formats are some of the new features packed in the new FS-HDR v2.
HDR and UHD: The road to enhanced pictures
By Peter Schut, CTO of Axon The development of TV technology has been a continuing search for greater picture resolution.
Evolution, not revolution, awaits broadcast industry
Peter Siebert, executive director, DVB Project, casts his eye over the direction the broadcast industry is heading in 2018 For DVB, the highlight of the past 18 months was the standardisation of resolutions beyond HD — combined with new advanced features such as HDR, HFR, a wider colour space and new audio coding schemes.
The future of live production
By Joe Khodeir, senior vice-president, APAC, Imagine Communications With traditional TV viewing under full-scale attack by subscription video-on-demand (SVoD) and other video-on-demand (VoD) services, live programming is emerging as a critical weapon in broadcasters’ war to retain consumer eyeballs.
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